Busch and Marriner

Fritz Busch was a man whose name
We must mention. His fame
The Nazis tried  to scupper,
But he kept the upper
Hand, and justly renowned he became.

Marriner and St.Martins-in-the-Fields
Is a concept that readily yields
Triumphs galore,
And what’s even more,
An impresive discography it wields!

Dorati and Giulini

Another Hungarian needs mentioning
(My list of conductors is lengthening–)
Dorati Antal
A Budapest natal
Could do ANYTHING, right up to his pensioning.

Carlo Maria Giulini
Approached the genie of Toscanini.
They came from the same nation,
Had a great reputation
And both of them adored their pannini—

Solti and Kubelik

Georg Solti had fantastic career

So many orchestras he ably did steer

And Wagner’s “Der Ring”

Was ultimately the thing

That made him the Bayreuth peer.

 

Rafael Kubelik was Czech

Who was in trouble with the Nazis up to his neck.

But then he fled

And subsequently led

The world’s greatest orchestras, just check!

Masur and Richter

I don’t want to leave out Masur.

Whose reading of Bach’s so mature.

Leipzig was his venue,

Baroque was his menu.

He was brilliant, able and pure.

 

Bach  too was Karl Richter’s domain-

But he would never think to disdain

Bruckner or Haendel-

He was able to handle

All manner of music, that’s plain.

Karajan and Abbado

The name of Herbert of Karajan

Is renowned, but I’m not a fan, man..

His unbridled ego

Would never let me go

To his concerts though truly Himalayan.

 

In total contrast Abbado

Conducted without such bravado.

With utter finesse

Like a move in chess

(The only thyme I can think of’s avocado—-)